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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of electronic music.

He subsequently formed the pioneering techno group The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that performance, Ball appeared in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I managed to damage myself quite a bit," he stated in a recent interview. "I fractured lower vertebrae in my spine and fractured about five ribs and fractured my arm."

Following contracting a lung infection and suffering from sepsis, he was put in an induced coma and stayed in hospital for seven months.

However, he had been in "high spirits mentally" over the warmer months, as he worked on a new album with Almond, titled Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the latest project that we actually finished only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as 2026 was completely planned to be such an positive time for him, and I find comfort from the fact that he heard the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the early 1980s

Tributes

Almond referred to his bandmate as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an immense part of my existence and for the music you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is different from joining a band, the connection is very tight," he continued.
"That was the case with us. We went through so many remarkable, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Brought into the world into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his given name from Paul to David, together with his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The duo were an unusual pairing: Ball was the quiet musician, bent over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they attained a unique musical alchemy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk perform on a television program Tomorrow's World, and began to marry moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second biggest-selling single of the early 80s, selling 21 million units worldwide. Together with hits by other artists, contemporary bands and electronic acts, it helped paved the way for the electronic music style of the 80s.

The track was also included on their full-length debut, their initial LP, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's death

Professional Journey

Success had its benefits. "I loved being able to purchase my initial property, having financial security and exploring, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also caused challenges. "Newfound wealth allowed we could purchase substances to relieve the monotony" of press appearances and television shows, Ball said.

"I realize that's a cliché, but it's a truism for a valid cause, because it works for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to create a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the band's new album as a homage to the New York club scene they visited while making their first two albums.

He noted that his period in medical care had influenced the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the noises in my head from those days.
"In parallel, it's about the times me and Marc got up to in the 1980s."

The last versions were finished only a short time before Ball died. It is due for release in the spring of 2026.

By

Michael Francis

Elara is a seasoned casino strategist with over a decade of experience, specializing in game analysis and winning techniques.

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